It is Sunday morning.
Shaji and Dalila are taking their day of rest: there is no one to prepare our breakfast.
Robin, Anu and I try out the puri masala breakfast in a new Fort Cochin restaurant. ________________
Towering over the city of Leh is its palace.
Built by Ladakhi kings more than three hundred years ago, left abandoned since foreign invasions in the nineteenth century and now in a state of forlorn decay, this massive building still dominates Leh’s sky-line.
It also remains open to the public:
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“It is said an Eastern monarch once charged his wise men to invent him a sentence, to be ever in view, and which should be true and appropriate in all times and situations. They presented him the words: “And this, too, shall pass away.” How much it expresses! How chastening in the hour of pride! How consoling in the depths of affliction.”
He dismounted and handed him the drink of parting. He asked him where he would go and why it must be.
He spoke.
His voice was choked: ‘My friend, on this earth fortune has not been kind to me! Where do I go?
I go to wander in the mountains.
I seek peace for my lonely heart… ‘ ________________
The video clip from “Song of the Earth” lasts for almost nine minutes but, for those who have time, it is a beautiful performance.
The pictures were taken in Leh Palace, Ladakh
Norvo, our driver for the next ten days, arrived punctually.
The first stop was a massive Buddhist stupa, perched high on the hills overlooking Leh.
I consider myself reasonably well-travelled in India.
I have certainly experienced the extremely chilly nights of hill-stations in Munnar and Ooty and Sikkim.
But I was not prepared for this.
On the flight from Delhi to Leh, a Ladakhi passenger had asked me: “Why are you coming now? It is far too cold for you!”
I had shrugged off the question, thinking not only that decades of British winters must have had toughened me up, but that I was well prepared, and had packed sufficient warm shirts, sweaters and fleeces to keep both Robin and I comfortably warm.
I was mistaken.
This was a degree of coldness with which I could not possibly cope.
I was wearing a sleeved vest, long kurta shirt, warm jacket, woollen scarf and heavy shawl.
I had decent trousers, thick socks and sturdy shoes on.
But I felt that my body and mind were slipping into shut-down: I was hardly able to operate my camera.
The climate was perishingly frozen; the landscape utterly bleak.
The only warm colours were man-made:
Norvo, a native Ladakhi, was born, and totally accustomed, to the climate.
When we left the car he would squat beside it, quietly singing to himself.
I was now reluctant to leave the car at all.
If our expedition was not to be a disastrous mistake, this was a situation which demanded urgent remedies:
Leaving the stupa, I asked Norvo to take us to the clothes market,
immediately!
Within the hour I was kitted-up in very thick gloves, fur hat, and a goncha: the heavy woollen coat worn by Ladakhi men and women.
Despite feeling like a bit-actor from a dubious ethnic block-buster, I also felt wonderfully warm.
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Pictures taken from beside the massive Shanti Stupa, overlooking Leh.
All is beautiful and welcoming,
but autumn in New Zealand is just a little cooler than spring in Cochin.
The climate renders me reluctant to stroll outside.. ________________
Pictures of a chapel undergoing repairs taken in Kummumpuram, Cochin.
I find the tenor’s voice amazing – like something lifted from the Russian Orthodox liturgy.
Piaf’s power and poignancy is, as always, totally beyond description..
A subtitled visual clip of this performance can be found here.
“For every beauty there is an eye somewhere to see it. For every truth there is an ear somewhere to hear it. For every love there is a heart somewhere to receive it.”